Kari and Maureen

Canadian actress. born on the 25th of March, 1970. Matchett began the acting profession in Ontario after moving from Saskatchewan's village of Spalding. At the beginning of the nineties, she started her professional career with Canadian TV. She then relocated back to the United States and starred in the series The Secrets of Nero Wolfe Invasion 24 Hours Studio 60 on the Sunset Strip Ambulance Earth. In the series, she played Last Conflict. In 2001, she was awarded the Gemini Award for her role in the Canadian television series The Department of Wet Cases. She also played the ex-wife of one the main characters for several seasons of the television show Impact. In 2010 she played her role as Joan Campbell in the TV show Covert Operations. On the big screen she was in the 2002 Canadian production Cube 2. Angel Eyes as well Boys with Broomsticks The Tree of Life. Divorced. She welcomed her child, Jude Lyon Matchett in June of 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) attracted attention for her striking beauty sparkling red hair, and her passionate characters of passionate characters. The actress captivated the audience, no matter if she was freed from a gallows in The Hunchback on Notre Dame by Charles Laughton (1939) and fell in love with Walter Pidgeon beneath a coal-blackened skies (How green was my valley) in the film with Natalie Wood or matched wits in The Quiet Man with John Wayne. Maureen O'Hara was the first biography written on the screen legend called the Queen of Technicolor. Aubrey Malone, a film critic who follows the star's journey from her childhood in Dublin up to her peak in Hollywood, draws new details and information of the actress's life from Irish Film Institute film production notepads and old newspaper articles and fan magazines. Malone explores her connection and relationship with John Wayne, and the connection she enjoyed and John Ford. He also examines the debate about whether or no the actress was an antifeminist. While she was an iconic figure of film's golden era, her penchant for privacy and behavior of making public statements that contradicted her personal choices have made her an enigma. This groundbreaking biography gives the first glimpse of who was behind her larger than life image, examining the legends and presenting a balanced view on one of the most renowned film stars.